The pop icon calls the updated version of the track "so refreshing after odd years". The paper doll-themed clip for the funked-up track features throwback photos of Stewart — and if ya wanna look at what his body looks like today, jump to the mark, where he drops trou. The producer [Rami] is an absolute genius, and Joe has changed the melodies, which is great — so refreshing after odd years.
Da Ya Think I'm Sexy? She sits alone waiting for suggestions He's so nervous, avoiding all the questions His lips are dry, her heart is gently pounding Don't you just know exactly what they're thinking. If you want my body and you think I'm sexy Come on, sugar, let me know If you really need me, just reach out and touch me Come on, honey, tell me so, tell me so, baby.
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Yes, you did read that right. But in a good way. We loved the song the first time around but we are so excited to hear what new life the crazy four piece breathe into it when this latest version is released. This unlikely but actually brilliant collaboration marks the start of a new partnership with Republic Records which DNCE are currently signed to, and the official single is expected to drop on 25th August.
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Let friends in your social network know what you are reading about. The Joe Jonas-led rock band is teaming up with the British singer for a re-imagined version of Stewart's hit. A link has been sent to your friend's email address.
She sits alone waiting for suggestions He's so nervous, avoiding all the questions His lips are dry, her heart is gently pounding Don't you just know exactly what they're thinking. If you want my body and you think I'm sexy Come on, sugar, let me know If you really need me, just reach out and touch me Come on, honey, tell me so, tell me so, baby. He's acting shy, looking for an answer Come on honey, let's spend the night together Now hold on a minute before we go much further Give me a dime so I can phone my mother. They catch a cab to his high rise apartment At last he can tell her exactly what his heart meant.
This is a character piece, a study of disco pick-ups and their awkwardness. The results are musically mixed: that keyboard riff is imperious in its swagger, but the groove is woefully lumpy and the song has chugged into inertia well before it reaches the morning after. I like this one!
In the parking lot, two lanes of cars are heading for the exit when their procession is halted by a couple of tough-looking bouncers. They stand before the lead Toyota, extending their hands like traffic policemen, then wave a spectacular yellow Lamborghini Miura through the gates. The queue re-starts.